Delphine Tinker’s Paris Flea Market is the most popular shop in the tiny town of Mirth, which is saying quite a lot really, because the town’s two other stores, Marsh’s Mercantile and Mirth Lumber & Supply, are very lovely, too. Delphine’s sister, Clara Plum, runs her bakery from home, so the bakery really doesn’t count.
The shop is informally known as Paris, as folks in Mirth get such a kick out of saying “I’m running to Paris,” whenever they take a trip into town.
One might wonder how Delphine acquired the treasure trove of knick-knacks and what-nots that line the shelves and table-tops of her shop, given that Mirth is surrounded for miles by nothing but pine forests, mountains, rivers and lakes. As you can imagine, sales were not brisk at the shop, but money really isn’t an issue for Delphine or Clara. Their needs are few.
The twin girls, orphaned shortly after they were born, were raised at Winterberry Cottage, by their Great Aunt Aggie. Aunt Aggie, the cottage, Loon Lake, its surrounding woods, flora and fauna were all the girls needed to be happy.
Still, Delphine decided to see the world, and Aunt Aggie and Clara encouraged her to follow her heart. They gave her a rousing send-off. So Delphine went off to a big city college, far, far away.
She learned more about her beloved plants, animals and trees. Then she spent years, floating like a dandelion puff, borne on a breeze from one continent to another, collecting adventures and admirers everywhere she went.
Clara eagerly awaited the richly detailed letters and giant wood crates Delphine sent home. She’d collect them at the train station and then stow them away in the big red barn at Hooper’s farm.
After a childhood spent gamboling through the woods, it was only natural that Delphine found fame writing about botany. Her books and lectures gained her a devout following, including the dashing young doctor, Hamilton Tinker, who would become her husband.
When her beloved Hammy passed away, Delphine finally returned home to Mirth, Winterberry cottage, and her darling Clara, to stay.
She unpacked the crates that Clara had stowed away, and Delphine Tinker’s Paris Flea Market was born.
That is how their story begins…
I hope this finds you warm and cozy.
Here in Mound, Minnesota, you’ll find us weirdos remarking what a warm day it is with the sun shining, when the temperature is a mere 12 degrees. I don’t mind the cold myself, as it gives me an excuse to stay inside and play with my minis, work on Valentine cards or stock my Etsy store with more vintage goodies.
Vintage shops have been on my mind a lot lately. Even though I started doing flea markets and selling online last year because I had so many of my mother’s amassed “treasures” to sell, it seems I’ve been bitten by the family bug, too. I was seduced by the thrill of the thrift store discovery and my proclivity for falling in love with the strangest things, like Kewpie dolls or Tammis Keefe handkerchiefs. Lots of my discoveries find their way to Fiddle Dee Doo Dah! Please visit and take a peek! I’m running a Sweetheart Sale through February 15th.
Here are some of the artists whose miniatures appear in Delphine Tinker’s Paris Flea Market.
Here’s the thing I find about nature. As you look more closely at it, when you let your mind be still, training your gaze only on what is right in front of you, in just a moment that singularity of focus turns appreciation into wonder. That’s when the magic happens.
When I kneel down to take a closer look at a daffodil and notice a tiny dew drop clinging to its bright orange trumpet, the rest of the world falls away. It happens to me all the time…the shock of a lone red speckled mushroom in a sea of green forest, the neon chartreuse fur of a moss-covered rock, a gnarly, decaying log full of holes where an entire mini-universe could exist, the pleasant tinkle and splash of a stream, burbling over shiny wet stones. Wonders abound, for those who look.
“Discovering magic in nature can be done anywhere. Be it a garden the size of a postage stamp, or acres and acres of fields and woodland. The Wood is my world, and one I enjoy sharing with others.” — Pamela Harden
My friend, illustrator Pamela Harden, author of the Whippety Wood books, is a master of capturing these tiny moments and turning them into something wondrous, and yes, magical. She is a creator of worlds as they should be, and I love her for it. I knew immediately after finishing my interview with Lauren Delaney, that I wanted Pamela to be May’s featured artist!
Tell me about your passion for art. Did you always know you wanted to be an artist?
I have always wanted to be an illustrator, and have never done anything else. I probably never concerned myself with the fear of supporting myself through illustrating. I was young and naïve enough to think that if I did something that I enjoyed, I certainly would get paid enough to support my passion.
I have been fortunate enough to find outlets for my work in books and magazines, and met some of the most talented and interesting writers and editors ever. It has always been a joy to work with those incredible people. I was a freelance illustrator for more than 30 years and then I decided to chance my hand at writing my own stories as well as illustrating them.
Thus, the Whippety Wood was born. I have been able to create all sorts of animal characters and always try to make them as believable as possible. Keeping the traits of the individual animal is important. I am not interested in making them completely human, but want to give them a voice, and express what I think their feelings might be, in an entertaining way.
You and I share a mutual love for animals, especially our beloved terriers. Through art I can give voice to their thoughts and feelings in a unique way. All creatures of the earth are able to convey their feelings without words Animals are filled with merriment and joy. The Wood is a perfect place to allow them to exhibit those feelings.
I’m curious to know about your childhood in the UK & US. What were you like? How did you recognize that you could channel your love of nature into art?
I think I probably had a rather idyllic childhood. Both my parents enjoyed the great outdoors and shared that passion with my sister and I. Being keen on learning, drawing, painting, and playing in nature was first and foremost for me. I was always fascinated by Beatrix Potter, Native American art, and anything illustrated by John Wesley Dennis. I was always drawing or painting from an early age.
My grandfather taught me all about wild flowers, wild birds and the plethora of wildlife that surrounded his farm. I was encouraged to illustrate those very subjects that I enjoyed so much. Any attempt was considered a masterpiece, and I grew to love doing those field studies.
I was also one of those children who just knew that Santa Claus or Father Christmas was definitely real, at least as real as fairies, elves, wizards, and magical animals. I have always considered nature to be magical. Just how amazing is it to see a tiny bird hatch from a beautiful egg, or a glorious flower spring from a seed. That certainly is magic!
I’m like that, too. I still believe in Santa. You’ve lived in both the UK and the midwest, here in the US. What are some of the differences you find in your natural surroundings?
In the USA we have always lived in the countryside and in the UK, we have lived a rural life in tiny villages or in the country. I cannot imagine living in a town or city. We are country bumpkins for certain!
Many of the same species of mammals live in both countries. Some, like badgers, are slightly different in appearance, but many are the same. The countryside is different in the US and the UK. Or, at least it feels different to me. There are still woods, streams, mountains, hills and dales, but there is a sense of a different sort of history behind the countryside in each place.
Some parts of the UK bring to mind the ancient history of animals, people, places, and events so far removed from today’s world. I find tremendous inspiration in the old folk tales from Scotland, England, and Wales. Indeed the Whippety Wood was influenced by a Scottish folk tale.
Here in Wisconsin the countryside is farmland, open, green, and surrounded by woods. The woods here are dense with oak, ash, huckleberry, pines, spruce, and cherry. It is a new world feel with a more recent human history. There is enough material from both continents to supply me with all the creative fodder I need!
I do observe as many animals as I can on our many hikes around the woods and fields we call home. Because we live in a very rural area, I have constant inspiration for new story ideas and illustrations. I find the Whippety Wood a complete joy and comfortable place to create a world that I should want to live in (and really do, for the most part). It contains all the good parts of the world, without any of the bad.
Tell me about why you created the Whippety Wood.
When I created the Whippety Wood, it was intended to help connect both children and adults with the natural world around them.
With a burgeoning world population and ever decreasing wild spaces to explore, it seemed a good idea to introduce the world of nature in a new and entertaining way.
Children in particular, are inundated with images from an electronic screen in one form or another. Many have never seen a fox, badger, bear, or any other animal in their natural habitat. My first ABC book was intended to address that very issue, but in an exciting, entertaining, and visual way.
It was also intended to open a dialog between child and parent or an older sibling. Now I am able to combine my love of dogs, and Scottish Terriers in particular, with my wild creatures in the Whippety Wood. It allows my imagination to run amok among the hundreds and hundreds of animals who might inhabit the Wood.
As you know, I grew up with Scottish Terriers, too. We Scottie lovers are a breed apart. I will go so far as to say THE MOST over-the-top breed enthusiasts in the world! Surprisingly though, I met you through a friend who thought I might like your work because I’m a big fan of tiny worlds, like Jill Barklem’s Brambly Hedge.
I only found out about our shared love of Scotties after I started following you. In fact, I bought one of your prints, Sinclair meeting Martin Mole, before we ever met. I have it hanging in my office and it always makes me smile.
I like to say that your friendship is a gift my dogs gave me. We really got to know each other when my new Cairn Puppy, Weezy visited the Whippety Wood. I have a whole Weezy-wall art gallery in my house.
When did you fall in love with Scotties? What is it you admire most about Scotties and/or terriers as a breed? Tell us how you started incorporating them into the Whippety Wood.
We have had Scotties for more than 40 years, and cannot envision a life void of Scotties. Not only do they bring us contentment, joy, and fun, but they make our life complete. Rupert is 12 and was born into a litter of 6 puppies.
He was and is a true outdoorsman. As a pup he could barely find the time to bother eating as it interfered with his hunting and chasing. He is obsessed with hunting anything that moves. He has honed his hunting skills to a fine art.
He is patient, listens carefully for movement in the grass, or under the snow, pounces at exactly the right moment, and has dispatched more mice than I care to know! He also sounds like someone is torturing him when he chases rabbits or squirrels. It is a true passion for him! Rupert has an alter-ego in the Wood called Sinclair. Sinclair was the first official Scottie to be featured in the Whippety Wood and has become a permanent fixture there. The boldness, cleverness, intelligence, independence, and sense of humour, have all made terriers the perfect dogs for the Wood.
At this point in my life, I think that all the adventures, stories, and illustrations that I do for the Whippety Wood are the most rewarding. It is an ever-changing and challenging way to live my life. I often find myself saying, “That would never happen in the Wood!” or “I am off to the Wood!”
I can’t wait to see what you have in store for us next. I hope my pups will make a return visit to the Wood soon. Thank you so much for sharing your Whippety Wood with us, Pamela. And Happy 13th Birthday to the magnificent Rupert!!! We love you both.
From Good Reads:
Inspired by nature, Pamela Harden has been an illustrator for more than twenty-five years in the United States and United Kingdom. She and her husband are avid hikers and star-gazers who enjoy the magic of nature every day in their own Whippety Wood in rural Wisconsin, where they live with their Scottie, Rupert.
Welcome to the magical world of the Whippety Wood. Located deep in the highlands of Scotland, the wood is home to the Whippety fairies. A host of colourful woodland characters also dwell within the wood.
ABC’s from The Whippety Wood is a silver medalist in the Moonbeam awards and Living Now awards for best Children’s ABC and picture books. This vibrant picture book will inspire a deeper appreciation of the natural world, while it teaches children the fundamentals of language in a way that is engaging, entertaining and enlightening.
Last week I attended junk maven Ki Nissauer’s Spring Junk Bonanza. It’s a twice-yearly pilgrimage for lovers of all things vintage, fans of architectural salvage, artists, designers and those who love the thrill of the find. Thankfully, it was indoors, as it was a rainy day. But I whiled away the hours marveling at three auditoriums full of fantastic displays, created by talented visual artists with a flair for grand statements.
Artists like Vanessa “Kiki” Johanning brought much-needed color and warmth to the Early Bird line, snaked around the front of Canterbury Park at 7:30 a.m. Kiki’s rowdy entourage, with their laughter and cheers made everyone smile. At MN events the people-watching is paired with a healthy dose of Minnesota nice. Strangers become friends.
I found a few pieces of Hull Magnolia pottery and craft supplies I couldn’t leave without, but mainly I was at the Bonanza for the mood boost, the dopamine rush I get from seeing makers, junkers and artists doing their thing.
By the time I left JB, my anticipation for the beginning of art fair season had reached a fever pitch. Because if it’s a summer weekend in the Twin Cities, there are two things you can be sure of, massive road construction and art fairs.
I like to think of art fairs as the museum’s rebellious kid sister, the wild child with the wandering soul. And in Minnesota, we have almost as many outdoor celebrations of art and artists as we have lakes. Better still, most of these festivals are held right beside some of our most scenic bodies of water.
It only seems right that art should be displayed outdoors in the elements, as so much artwork draws inspiration from, or evokes nature; human, but also earth, the heavens, water, flora and fauna, animal. In fact, many Minnesota animals are huge art fans. Literally.
We show up regardless of the mercurial weather. But a hot, sunny day beside the Mississippi, during the Stone Arch Bridge Festival will take your breath away. A magnificent canopy of trees, grassy knolls and park benches provide cool spots to escape the heat and take it all in: art, people, food, classic cars, architecture and nature.
Meandering the posh boulevard running along Lake Minnetonka’s Wayzata Bay during the Wayzata Art Experience and happening upon a whimsical pair of bronze Humpty Dumpties, toasting with martinis, is the type of whimsical surprise that makes it a can’t miss event.
Located only blocks from three of the city’s most popular and picturesque escapes, Lake of the Isles, Lake Harriet and Lake Calhoun, the Uptown Art Fair features over 350 artists from around the world, and has been honored with over 140 Pinnacle Awards by the International Festivals and Events Association.
The Uptown Theater takes its name from the funky urban epicenter of Minneapolis called Uptown, a neighborhood that showcases the diversity of people, food and culture in the Twin Cities.
Food trucks pepper the streets around Hennepin & Lake. The delicious aromas of cheese curds, bbq and paella fill the air. Icy cold beverages abound. Ahhhh, this is the life.
If Coachella had a midwestern art fair cousin, the Uptown Art Fair would be it. Live music, beer gardens and the eclectic Uptown vibe contribute to a party atmosphere. The right brain is fully engaged.
For me, the art fair versus gallery experience is transcendent. Don’t get me wrong, I love museums. But when was the last time you went to a museum and actually got to talk to the artist whose work stands right before you, to ask questions about the why and the how of it? When I see artwork that intrigues me or speaks to me, I usually find that I share some commonality with its artist, whether it’s experience, place or feeling or sense of humor. What a treat to be able to meet all of these colorful, passionate human beings with the courage to pursue their vision and embrace their innate talents.
“Adrift with just a tutu and her everyday tiara”
Kina Crow is one of my favorite art fair discoveries. While Kina will be traveling only as far west from her home in Pennsylvania as the St. Louis Art Fair in 2017, she was an Uptown Art Fair regular for many years. In fact her whimsical clay and paint dioramas were awarded Best in Show, Mixed Media in 2008 and 2009.
The first time I saw Kina Crow’s cheeky little humans made of clay, pondering the great mysteries of life, I laughed out loud. Okay, I probably snorted, unabashedly, as I am known to do when something really tickles me.
Kina’s artwork reminds me of one of my favorite quotes from author Elizabeth Gilbert, “Don’t ever be ashamed of loving all the strange things that make your weird little heart happy.” Kina’s little people with their angsty adorableness (I know it’s not a word, but it should be) ARE the strange little things! She celebrates that lingering bit of awkward adolescent in all of us, who stumble about in this big old world trying to make sense of it all, and she does it with humor, and the aforementioned quirky adorableness. Kina’s new book, I Wonder, is a work of art itself.
So while art fairs may be a great opportunity to get outside and enjoy a gorgeous summer day, surrounded by interesting people, listen to music, taste delicious food and pet all the dogs, what really makes it amazing is finding art and artists you will fall in love with and enjoy for the rest of your life.
**** Main Image and all images of Kina Crow artwork are copyright-protected and used with permission from the artist.****
Step into the backroom of Century Girl Vintage Boutique in the heart New Orleans on any given day, and it’s like stepping through the looking-glass. There’s something about the room you can’t quite place, a peculiar other-worldliness. The ghosts of bold, adventurous women with raucous laughs and enviously endless wardrobes fill the room. At first glance you may think you’ve stepped into an artist’s studio. Then you notice the strange objects of Lilliputian ephemera, Gothic intrigue, replicas of historic mansions. You have a slightly uneasy feeling that perhaps you’ve stumbled upon the scene of a murder. Oh, and paper dolls. There are paper dolls, too.
This is the workplace of Lauren Delaney George.
I first encountered Lauren’s talents in 2013, when the young entrepreneur was paying her way through college by selling dollhouse miniatures on Etsy. She began creating miniatures when her Grandpa made a beautiful log cabin dollhouse for her Grandma, called “Kate’s Cottage.” The first miniatures she ever created were Christmas gifts for her Grandma Kate, including family portraits, quilts and a copy of her Grandma’s wedding dress.
At the time, when I started collecting minis, miniature shops were full of shabby chic dollhouse decor and bakery accoutrements. Lauren’s store was quirky. Things you might find included a package of vintage ladies pantyhose, take-out menus, classified CIA files on the Kennedy assassination, a wall calendar from 1926, a microscopic laboratory slide – all in miniature. Her flair for replicating the minutiae of everyday life in 1:12 scale was uncannily exacting.
Her creativity spurred my own, as I let myself venture outside the confines of creating kitchens and Parisian boudoirs. Lauren gave me permission to create vignettes that I found compelling, that told a story.
When I needed classical sheet music for an October vignette I was creating, I knew Lauren’s shop was the only place I could turn.
“At their essence, miniatures are story-telling tools. As in theater, tiny scenes immerse the viewer in worlds inhabited by ghosts, infused with memory and promising adventure and exploration” Lauren said.
Late last summer, Lauren announced a new adventure she was embarking on, “The Haunted Dollhouse.” I asked her to explain it to us in her own words.
“In New Orleans, truth is stranger than fiction. This is especially true in the case of “The Haunted Dollhouse,” a violent crime involving a 1920s miniature collection. The dollhouse was created by an inmate at New Orleans’s Asylum for the Criminally Insane and is directly linked to a murder which took place in the French Quarter. Appraisers have spent years trying to crack the cryptic messages hidden in its construction. I’ve spent the past year researching it in the New Orleans archives and the inconsistencies of the murder investigation are so bizarre that I felt obligated to make them public. Amateur sleuths, crime connoisseurs, and miniaturists are all invited to take a crack at solving the case and may subscribe to receive the pertinent documents (and bloody artifacts) via www.TheHauntedDollhouse.com.”
Those brave (or foolish) enough to assist me with the investigation will receive a series of five packages over the course of 1-2 months. Each package contains a cache of clues, miniatures, and archival documents. Clues may take the form of an old telegram, a 1920s newspaper clipping, miniature artifacts, and simple DIY projects. Each package is like another “chapter” in the deepening mystery, and as the story progresses, investigators reconstruct a dollhouse which is—EGADS—actually a crime scene.”
I, myself, helped Lauren solve a mystery last fall, and it was a one-of-a-kind experience. I couldn’t wait for each new package to arrive with clues. It was like receiving mail lost for 100 years. A cadre of my closest cohorts were just as eager as I was to unravel the mystery! Here we were in Minnesota in 2017, plumbing the private lives of the upper echelon of New Orleans society in the early 1900s.
As you may have gathered from Part 1 of my interview with Lauren, Lauren is to vintage glamour, what Anna Wintour is to Vogue. So, of course, when Lauren first added her prohibition-era, paper confections, embellished with ribbon and sparkly bits, I was the first in line to snatch them up.
They also caught the eye of Dover publications, who published Lauren’s first book in March of this year. Finally Lauren had the opportunity to marry her talents for costume design with her paper artistry, with her book, All Dolled Up.
“I enjoyed creating paper dresses for my Etsy shop, but I had no intention of creating a book until Dover approached me. I learned so much through the process of creating the dresses and miniature sets, then photographing and laying them out. It was a huge challenge and I’m really proud of the end result.
I have always loved draping as a method of design, and this process of creating paper dresses is similar. In fact, there is a whole section in the book about “paper draping” for (tiny) fashion design. With any creative project, you have to observe the properties of your chosen material and then let it do what it wants to some extent. Probably the single most important step in the design to fabrication process is choosing the proper materials, whether it be a paper dress, fabric dress, or miniature world!”
As if offering to be Chickadee’s first featured artist wasn’t enough, Lauren has also offered to give away a signed copy of her book. In addition to a great story, paper dolls and richly-detailed backdrops, the book also provides step-by-step instructions for creating your own vintage couture designs. All Dolled Up will delight paper crafters and fashion-lovers alike. For your chance to win, simply comment below. The winner will be chosen by random drawing on May 15th.
Since her creativity seems to flow from an endless spring, I asked Lauren what she saw herself doing next.
“Well, I’m in the middle of working on my second book, and I’m also excited to expand the world that I first introduced in The Haunted Dollhouse. There are more mystery adventures in store.
I love the unpredictability of life. Ten years ago, in my wildest dreams I couldn’t have cooked up my current life. Ten years from now, I hope I’m still working at the things I love – designing and creating.”
I’m so excited to introduce a new feature to Chickadee, a featured female artist who inspires me with her talent, kindness and entrepreneurial spirit. The first woman is Lauren Delaney George. She is someone whom I’ve admired since I first discovered her Etsy shop in 2013, where I was surprised and delighted by her amazing shop, full of miniature delights.
Lauren attended NYU, where she spent 2 years in the school’s prestigious MFA program, and started her career working for E. Jean Carroll of Elle magazine fame, helping with a kooky side project social media game site that she had created, “Catch27.”
Since that time, I’ve discovered that she is a costume and set designer with feature films to her credit. She has worked with the likes of Colleen Atwood, 14-time Oscar nominee, on the film Public Enemies. Lauren’s clients include FAO Schwarz, Monique Lhullier, Erin Featherstone and the Cancer Research Institute. Her original artwork, The Exile of Prospero, debuted at the National Building Museum. She is a style icon with her amazing throwback vintage glamour. And most recently she published her first book, All Dolled Up to critical acclaim, with a second already underway.
Blog Summary: Lauren Delaney George is EVERYTHING. #allthegoals #ladyboss #shero #girlcrush
Whew. I had to get my fan girl enthusiasm out-of-the-way in order to write any further. Now that you know the gist of my feelings about Lauren, we can get to the heart of the matter…why she should be YOUR creative inspiration, too.
To me, there is nothing more inspiring than seeing a fabulous creative woman living her dreams, except for kindness, graciousness and willingness to encourage other artists in pursuing their dreams.
I asked Lauren if she would agree to an interview with me, with her knowing nothing about me and she eagerly accepted. So without further ado, I give you the much coveted interview.
Melanie: First of all thank you for agreeing to this interview:
Lauren: I was so honored by your email! And holy moly is your blog b-e-a-u-t-i-f-u-l. I’d love to help in any way that I can with a feature.
Melanie: Thank you. I’m so flattered. Well, I asked a million questions, so let’s jump right in. Are there other artists in your family?
Lauren: My dad is a doctor and though my mom received her MBA, she devoted her life to raising three crazy children. Both my parents are very creative. My mom is a jack-of-all-trades crafter; she knits, quilts, cross stitches, etc. My dad is really into history and has dabbled in state politics. He occasionally publishes articles and has created a couple of historical documentaries. Though I am the only “professional” artist in my family, traveling to Honduras on a medical relief trip with my dad this year gave me an entirely new appreciation of the artistry involved in cutting up and healing a body. And my mom has really devoted her life to creating beautiful things for her family and loved ones to enjoy.
Melanie: You’ve traveled all over the world. Did that have an impact on your creativity?
Lauren: I spent my junior year of college abroad in Aix-en-Provence, France. I knew that I would never improve my French unless I was submersed in the actual culture. Several years out of practice, I’m pretty rusty at the skills I picked up there, although I can still mostly understand when it is spoken to me. When I was in 8th grade, my dad taught anesthesia for one month at a hospital university in Moshi, Tanzania. My entire family accompanied him and I attended an international school with my siblings (International School of Moshi). My ISM classmates were from all over the world.
Melanie: So you grew up surrounded by culture, art and history?
Lauren: We grew up really spoiled in the sense that art and creativity were always encouraged in our house. In fact, our house has always been a bit of a circus, bustling with whatever people’s current projects are! My brother would often film movies with his friends there, and once even built a “submarine” film set in the garage. My parents tend to adopt our friends, so there are always people coming and going when we are home.
My parents are outgoing, creative people, unafraid to try new things. They don’t operate under the idea that you must have a degree in whatever you decide to pursue. Their fearlessness has been a major shaping influence in my life.
Melanie: Have you always known that you wanted to be a designer/artist/author?
I definitely didn’t grow up knowing this was what I wanted to do. I’ve always enjoyed arts and crafts, but it didn’t even occur to me until I was graduating from college that I could make a career out of a creative field. My interests and projects continue to evolve and I am curious to see what is in store!
Melanie: Who or what inspires you?
I’m really inspired by creative people and New Orleans happens to be filled with them! The history of New Orleans also inspires me, because it feels like traveling back through time with all the history and interesting characters who populate the city today. I also love just discovering other artists through the rabbit holes of Instagram and Pinterest.
Melanie: The best part of social media to me! I read that you met Costume Designer Colleen Atwood on the set of Public Enemies and she influenced your decision to go to NYU.
Lauren: My encounter with her was hugely significant, because it got me thinking about that possibility. Meeting her was just such an awesomely weird and surreal experience. It got my brain working on how costume design was this beautiful tangle of all the subjects I loved: history, fashion, and psychology.
Melanie: Your artistic resume is so long and varied. You seem to have an ever-flowing river of ideas. Do you ever get stuck? Have you ever felt afraid to try something new?
Lauren: Yes, I definitely get stuck and I think that every human does at some point, regardless of their career choice. For me, the hardest part is sitting down to begin a project.
Before I dive into something really consuming (like All Dolled Up or The Haunted Dollhouse), my soul gets a little weary thinking about how HUGE it seems. It always helps to break these monsters down into more manageable daily tasks. You need to be disciplined without being too hard on yourself. Just set yourself up to be moving the project forward every day with small steps.
For example, if you wake up and say, “I’m going to create a book about paper dolls today,” it’s never going to happen. Instead say, “Today I am going to rough draft a table of contents. Tomorrow I will outline the introduction. The day after tomorrow, I will create a rough storyboard for the pages.” The key is that none of these things has to be perfect. Just get your idea on paper and then keep refining it as you bring in new elements.
I am afraid on a daily basis. Fear is a completely normal reaction when you are confronting the unknown. For a creative, this means not being able to envision the end product at the beginning, but trusting the process will bring you through to the end.
Melanie: How do you approach a new project? Is your approach methodical, researched, experimental? Is there a Lauren Delaney process?
Lauren: When starting a new project, I spend a lot of time exploring images and reading. I am gauging my own reaction to things like tone, color, and setting. I make a lot of notes, collecting quotes from other writers, as I begin placing the images next to each other. Finding the thread through this collection I’ve assembled is how I discover my own opinion about the world that I am creating.
Melanie: Oh my! I still haven’t even tackled all my questions about your many projects that I REALLY want to talk about. Your miniatures, The Haunted Dollhouse and your new book, All Dolled Up. I think this is going to have to be a two-part interview.
This is Zelda, one of the guests at Lauren’s book launch party at Century Girl.
Lauren: Thank you so much again for caring about my work and sharing it with the world.
Lauren has very graciously offered to host a random drawing for a signed copy of her book, All Dolled Up. No purchase is necessary to enter. Simply follow my blog (not mandatory, but I hope you’ll come back for Part 2 of Lauren’s interview) and leave your email in the comments section, so I can notify you if you win. I will not use your email for marketing purposes or solicitation. The drawing will be held on May 15th.
Finally, I want to end with what I think is one of the coolest things about Lauren. In 2013, during the height of Gatsby mania, when the remake of the classic movie, starring Leonardo DiCaprio and Carey Mulligan was coming out, Lauren won first place in the costume contest at The Gatsby Garden Party in Oheka Castle New York.