Delphine Tinker’s Paris Flea Market is the most popular shop in the tiny town of Mirth, which is saying quite a lot really, because the town’s two other stores, Marsh’s Mercantile and Mirth Lumber & Supply, are very lovely, too. Delphine’s sister, Clara Plum, runs her bakery from home, so the bakery really doesn’t count.
The shop is informally known as Paris, as folks in Mirth get such a kick out of saying “I’m running to Paris,” whenever they take a trip into town.
One might wonder how Delphine acquired the treasure trove of knick-knacks and what-nots that line the shelves and table-tops of her shop, given that Mirth is surrounded for miles by nothing but pine forests, mountains, rivers and lakes. As you can imagine, sales were not brisk at the shop, but money really isn’t an issue for Delphine or Clara. Their needs are few.
The twin girls, orphaned shortly after they were born, were raised at Winterberry Cottage, by their Great Aunt Aggie. Aunt Aggie, the cottage, Loon Lake, its surrounding woods, flora and fauna were all the girls needed to be happy.
Still, Delphine decided to see the world, and Aunt Aggie and Clara encouraged her to follow her heart. They gave her a rousing send-off. So Delphine went off to a big city college, far, far away.
She learned more about her beloved plants, animals and trees. Then she spent years, floating like a dandelion puff, borne on a breeze from one continent to another, collecting adventures and admirers everywhere she went.
Clara eagerly awaited the richly detailed letters and giant wood crates Delphine sent home. She’d collect them at the train station and then stow them away in the big red barn at Hooper’s farm.
After a childhood spent gamboling through the woods, it was only natural that Delphine found fame writing about botany. Her books and lectures gained her a devout following, including the dashing young doctor, Hamilton Tinker, who would become her husband.
When her beloved Hammy passed away, Delphine finally returned home to Mirth, Winterberry cottage, and her darling Clara, to stay.
She unpacked the crates that Clara had stowed away, and Delphine Tinker’s Paris Flea Market was born.
That is how their story begins…
I hope this finds you warm and cozy.
Here in Mound, Minnesota, you’ll find us weirdos remarking what a warm day it is with the sun shining, when the temperature is a mere 12 degrees. I don’t mind the cold myself, as it gives me an excuse to stay inside and play with my minis, work on Valentine cards or stock my Etsy store with more vintage goodies.
Vintage shops have been on my mind a lot lately. Even though I started doing flea markets and selling online last year because I had so many of my mother’s amassed “treasures” to sell, it seems I’ve been bitten by the family bug, too. I was seduced by the thrill of the thrift store discovery and my proclivity for falling in love with the strangest things, like Kewpie dolls or Tammis Keefe handkerchiefs. Lots of my discoveries find their way to Fiddle Dee Doo Dah! Please visit and take a peek! I’m running a Sweetheart Sale through February 15th.
Here are some of the artists whose miniatures appear in Delphine Tinker’s Paris Flea Market.
Step into the backroom of Century Girl Vintage Boutique in the heart New Orleans on any given day, and it’s like stepping through the looking-glass. There’s something about the room you can’t quite place, a peculiar other-worldliness. The ghosts of bold, adventurous women with raucous laughs and enviously endless wardrobes fill the room. At first glance you may think you’ve stepped into an artist’s studio. Then you notice the strange objects of Lilliputian ephemera, Gothic intrigue, replicas of historic mansions. You have a slightly uneasy feeling that perhaps you’ve stumbled upon the scene of a murder. Oh, and paper dolls. There are paper dolls, too.
This is the workplace of Lauren Delaney George.
I first encountered Lauren’s talents in 2013, when the young entrepreneur was paying her way through college by selling dollhouse miniatures on Etsy. She began creating miniatures when her Grandpa made a beautiful log cabin dollhouse for her Grandma, called “Kate’s Cottage.” The first miniatures she ever created were Christmas gifts for her Grandma Kate, including family portraits, quilts and a copy of her Grandma’s wedding dress.
At the time, when I started collecting minis, miniature shops were full of shabby chic dollhouse decor and bakery accoutrements. Lauren’s store was quirky. Things you might find included a package of vintage ladies pantyhose, take-out menus, classified CIA files on the Kennedy assassination, a wall calendar from 1926, a microscopic laboratory slide – all in miniature. Her flair for replicating the minutiae of everyday life in 1:12 scale was uncannily exacting.
Her creativity spurred my own, as I let myself venture outside the confines of creating kitchens and Parisian boudoirs. Lauren gave me permission to create vignettes that I found compelling, that told a story.
When I needed classical sheet music for an October vignette I was creating, I knew Lauren’s shop was the only place I could turn.
“At their essence, miniatures are story-telling tools. As in theater, tiny scenes immerse the viewer in worlds inhabited by ghosts, infused with memory and promising adventure and exploration” Lauren said.
Late last summer, Lauren announced a new adventure she was embarking on, “The Haunted Dollhouse.” I asked her to explain it to us in her own words.
“In New Orleans, truth is stranger than fiction. This is especially true in the case of “The Haunted Dollhouse,” a violent crime involving a 1920s miniature collection. The dollhouse was created by an inmate at New Orleans’s Asylum for the Criminally Insane and is directly linked to a murder which took place in the French Quarter. Appraisers have spent years trying to crack the cryptic messages hidden in its construction. I’ve spent the past year researching it in the New Orleans archives and the inconsistencies of the murder investigation are so bizarre that I felt obligated to make them public. Amateur sleuths, crime connoisseurs, and miniaturists are all invited to take a crack at solving the case and may subscribe to receive the pertinent documents (and bloody artifacts) via www.TheHauntedDollhouse.com.”
Those brave (or foolish) enough to assist me with the investigation will receive a series of five packages over the course of 1-2 months. Each package contains a cache of clues, miniatures, and archival documents. Clues may take the form of an old telegram, a 1920s newspaper clipping, miniature artifacts, and simple DIY projects. Each package is like another “chapter” in the deepening mystery, and as the story progresses, investigators reconstruct a dollhouse which is—EGADS—actually a crime scene.”
I, myself, helped Lauren solve a mystery last fall, and it was a one-of-a-kind experience. I couldn’t wait for each new package to arrive with clues. It was like receiving mail lost for 100 years. A cadre of my closest cohorts were just as eager as I was to unravel the mystery! Here we were in Minnesota in 2017, plumbing the private lives of the upper echelon of New Orleans society in the early 1900s.
As you may have gathered from Part 1 of my interview with Lauren, Lauren is to vintage glamour, what Anna Wintour is to Vogue. So, of course, when Lauren first added her prohibition-era, paper confections, embellished with ribbon and sparkly bits, I was the first in line to snatch them up.
They also caught the eye of Dover publications, who published Lauren’s first book in March of this year. Finally Lauren had the opportunity to marry her talents for costume design with her paper artistry, with her book, All Dolled Up.
“I enjoyed creating paper dresses for my Etsy shop, but I had no intention of creating a book until Dover approached me. I learned so much through the process of creating the dresses and miniature sets, then photographing and laying them out. It was a huge challenge and I’m really proud of the end result.
I have always loved draping as a method of design, and this process of creating paper dresses is similar. In fact, there is a whole section in the book about “paper draping” for (tiny) fashion design. With any creative project, you have to observe the properties of your chosen material and then let it do what it wants to some extent. Probably the single most important step in the design to fabrication process is choosing the proper materials, whether it be a paper dress, fabric dress, or miniature world!”
As if offering to be Chickadee’s first featured artist wasn’t enough, Lauren has also offered to give away a signed copy of her book. In addition to a great story, paper dolls and richly-detailed backdrops, the book also provides step-by-step instructions for creating your own vintage couture designs. All Dolled Up will delight paper crafters and fashion-lovers alike. For your chance to win, simply comment below. The winner will be chosen by random drawing on May 15th.
Since her creativity seems to flow from an endless spring, I asked Lauren what she saw herself doing next.
“Well, I’m in the middle of working on my second book, and I’m also excited to expand the world that I first introduced in The Haunted Dollhouse. There are more mystery adventures in store.
I love the unpredictability of life. Ten years ago, in my wildest dreams I couldn’t have cooked up my current life. Ten years from now, I hope I’m still working at the things I love – designing and creating.”